The photographs featured in the book are all black and white, signified with heavy blacks and grain. They immediately evoke a sense of melancholia, especially when images of Yatoo’s sick father are presented. However, not only sadness and grief are part of the book; there are also glimpses of optimism and humour. In a way, the edit presents a cycle of life, death, and desire. Photographs of animals and landscapes are combined with portraits of children, adults, and Yatoo’s now-deceased father. Time is not shown as a linear constant but rather in fragments that constitute the author’s identity and understanding of his past which is personally real, yet slightly detached from reality. Consequently, the large variety of images does not create the feeling of disconnection, on the contrary, they coexist in unity together.