My visual research often starts from simple elements of reality that are subjected to various processes, both physical and digital, in an attempt to create representations with no space-time constraints. Through these levels of transformation of the photographed subject, I try to dig deep, asking myself what is really hidden behind the surfaces that surround me, whether they are human or not. The work “Lacerazioni” is composed of a series of shots that, through recision, attempt to investigate the relationship between an external agent, light in this case, and the support on which the image is present. The bodies of the people photographed are never represented in their entirety, which is broken even more by the laceration of light impressed on them.